music
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.
With musical biopics typically presented as Oscar bait or actors doing an impression for empty accolades, here are 10 music biopics that are actually great.
The allure of Jon Foreman’s approach to life can be summed up by one day documented for all posterity in the documentary 25 in 24.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
Once Aurora is breezy, raw and evocative, an often surprising visual close-up of a young artist moulding her career against the mainstream methods of pop success.
Rocketman is big screen entertainment done right, an inventive rock-opera that brims with energy and color.
Echo in The Canyon is an ode to a time and place when the music coming out of Laurel Canyon defined the California Sound of The ’60s.
Game of Thrones wouldn’t be Game of Thrones without Ramin Djawadi, who has been producing consistently excellent scores for the past nine years.
For this month’s Staff Inquiry we surveyed our writers to see which soundtracks really knocked their socks off. See if you agree with their choices.
Nowhere Boy is a coming of age biopic based off of the formative years of John Lennon’s life and his ensuing journey into rock and roll.
While Beats isn’t perfect, the cast is engaging and Welsh’s visual style is lively without falling into nightclub-style movie shot cliches.
In her second Tribeca documentary report, Stephanie Archer reviews Red, White & Wasted, Lil’ Buck: Real Swan, The Quiet One, and Sublime.
The 27 Club is a cheaply made streaming title with little to no thought put into it – there was a seed of an idea here but nobody to tend the garden.
Kristy Strouse spoke with Christopher Thorn and Rogers Stevens from the band Blind Melon for the Tribeca documentary All I Can Say.
We spoke with the three-person directing team behind rock doc All I Can Say, Danny Clinch, Taryn Gould, and Colleen Hennessy, at Tribeca 2019.