Netflix
Raising Dion enlivens the superhero genre by offering a fresh tone and concept, and it also has some subtle messages that resonate with personal growth and sociopolitical challenges still being faced today.
As a true crime miniseries, Unbelievable does well in telling the womens’ side of things, depicting their trauma, and how they are forced to relive the horrific events over and over.
Somewhere in the passable 90-minute In the Tall Grass is an hour long short that’s riveting, tense, and short enough to not overstay its welcome.
Between Two Ferns: The Movie is a unique type of performance with unique humour crafts a unique type of film.
Dolemite is my Name manages to be a loving ode to Blaxploitation and Black independent filmmaking while still being one of the funniest films of the year so far.
Disenchantment Part 2 feels new, current, and understanding of what makes it wonderful – chapter 3 not only feels necessary, but desperately asked for.
Ryan Murphy’s first Netflix venture is a vapid political satire almost entirely void of humour and heart.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.
While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.
Unfortunately, Tall Girl takes the typical high school movie beats and fails to do much with them.
The Dark Crystal: Age of Resistance is the bold kind of fantasy that is more than welcome from the Henson studio in the 21st century.
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.