Netflix
In Season 4, Last Chance U is forced for the first time to confront its decision to center the coach as the premier personality of the show.
American Factory excellently conveys the complexities of a culture clash, and is an insightful illumination of globalization.
Gadsby delivers Nanette with not just a message, but a narrative, something more commonly described by another word when such a show is recorded – film.
Otherhood might not be the worst thing Netflix has released since it started producing original films, but it lacks the artistic depth and ambition a story like this deserves.
Boredom resulted in Lana Stanczak and a friend watching every Sandler movie released through Netflix. A ranking of these … gems.
Another Life is a unique space drama, but unfortunately it fails to be an immersive experience like that of the genres it draws from.
Queer Eye continues to focus on self-care and embracing change, reminding its participants and audiences about the importance of acceptance of oneself and of others.
Charming guests full of personality and stories capable of filling given run time are exactly the reminder of authentic entertainment this current era of television needs.
Orange Is The New Black was never pitch perfect, but it hit enough high notes to make it count. Farewell, Ladies of Litchfield.
Even if Douglas doesn’t match its predecessor, the material is strong enough that it could still wind up being the second greatest stand-up film of all time.
While it’s not the best made documentary of the year, The Great Hack is the most important documentary you’ll watch all year.
Frankenstein’s Monster’s Monster, Frankenstein is a wonderfully absurd, surreal comedy, satirically captures the story of Frankenstein, and the confusion which comes with it.
While some viewers could argue this Point Blank remake as passable entertainment, even at 80 minutes, your time is best spent elsewhere.
Season 3 of Stranger Things reminds us why we love this show, and it’s not just the nostalgia, it’s the characters.
Alex Lines spoke with director Grant Sputore about his new film I am Mother, getting picked up by Netflix, the film’s influences and how to make an original sci-fi film in 2019.