Netflix
Dark is still a time-traveling minefield, provoking characters to coast through time, evolve and alter their original impulses.
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.
Murder Mystery is a generic comedy from Adam Sandler, but thankfully never up there with the actor’s worst efforts. Mark MacPherson reviews.
When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
Season 3 of Easy continues its success in telling stories bubbling over with realism – it ties up the loose ends, but leaves things complicated.
Wine Country does what’s intended: there’s laughter, an abundance of touching moments, and an important contemplation on the bonds of friendships.
Lisa Hanawalt’s colorful Tuca & Bertie explores womanhood, bodies, friendship and trauma – what it lacks in direction, it makes up for in sincerity.
After its unceremonious cancellation on FOX, “Lucifer” finds new life on Netflix for its fourth season. We take a look.
Netflix arrived at the Tribeca Film Festival swinging with two of their narratives, Extremely Wicked, Shockingly Evil and Vile and See You Yesterday.
Check out our interview from Tribeca with multi-talented rapper and actor Astro about his performance in the new time-travel film See You Yesterday.
Stephanie was able to speak with Stefon Bristol at Tribeca, the director of the upcoming sci-fi time travel film See You Yesterday.
Knock Down The House highlights four political pioneers, and provides an intriguing snapshot of post-2016 election America.
Although it’s not exactly faultless, Someone Great adequately captures themes of lost love and the power of friendship.