Netflix
Formula 1: Drive to Survive S3E9 is an exhilarating experience that can charge anyone up and make them want to aggressively work towards their goals.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
Malcolm & Marie isn’t a terrible film by any means, but it’s undoubtedly a bewildering mess that collapses under its own weight.
While a bit shaky at times, the Chilling Adventures of Sabrina brought a unique perspective I hope future inductions will honor.
This is a series that shows its cards right in the title; it’s about the hunt. And it’s an unforgettable one.
Teenage Bounty Hunters hit an unlikely intersection of relatability, character and relationship growth, and adventure.
With History of Swear Words, Netflix delivers entertainment and knowledge regarding those naughty words that have morphed throughout the years.
Death to 2020 says a farewell to the year in the best way possible, inviting every viewer to join in the experience and the catharsis.
The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.
The Ripper, the eponymous killer, and the series expose the misogyny with aplomb at every step and moreover, it is persistently captivating.
Film Inquiry recently spoke with production designer Mark Ricker about his experiences working on the Netflix film, Ma Rainey’s Black Bottom.
Kirsten Johnson’s film is a wonderful testament to both her aging father and the importance of treasuring the people we love most in life.
While far from perfect, Mosul is an effective look into a country ravaged by war and constantly searching for hope.
The Queen’s Gambit is stunning and exhilaratingly enjoyable, but it ultimately leaves me as a viewer just wanting more of it as a whole.
While Mank isn’t David Fincher’s best work, it certainly places quite high in his repertoire.