NYFF
Lee Jutton is back with two more films from this year’s New York Film Festival, with reviews of The Novelist’s Film and Walk Up!
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
Paul Schrader is a master storyteller, but with Master Gardener, even masters are capable of misfires.
From pensive and meditative to egotistically powerful, Todd Field’s Tár is a film for the senses.
Marie Kreutzer’s new cinematic depiction of the life of the Empress, Corsage, is a punk rock rebel yell: angry, energetic, and intensely enjoyable.
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
At times a deeply moving portrait of our treatment of animals, while other times a sense of existential realism, EO proves itself to be full of heart.
In using the medium of melodrama for Parallel Mothers to convey such a message, Almodóvar has given us one of his best films in years.
Our coverage of the 2021 New York Film Festival concludes with looks at Jane By Charlotte, Haruhara-San’s Recorder, and Hester Street.
Despite the occasional meandering of the script, much of the film feels like an honest search for peace and a sense of balance in life.
With strong performances, The Power of the Dog delivers on its promise, offering a solid narrative tale of strength, masculinity and grief.
The Velvet Underground wields the hands of time, recapturing and evolving into a time capsule of art within a new wave style of documentary.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.