From Gerwig’s directing, to Yorick Le Saux’s cinematography, to the performances, to the score by Alexandre Desplat, this is one of the best movies of the year. It is a feel good movie for the whole family, especially sisters.
In Judy & Punch, Foulkes brings dimension and nuance to rather ancient customs, and places backwards-thinking and primitive male behaviour under the microscope of social justice.
Although Helen Mirren’s performance as Catherine the Great is good, the miniseries itself was a chore to finish despite weighing in at only four hours.
Michel Ocelot has always been one to apply the breadth of his creativity towards an easy narrative, but only with Delili does it prove to be something of a barrier to what can be more fulfilling.
We delve into two recent biopics about Emily Dickinson, A Quiet Passion and Wild Nights With Emily, examining which seems to show more truth about the legendary poet.
The Shade Shepherd is a thumping and garish character venture, made to look and feel alluring, yet ends up inheriting an artistic drive, low on fuel and brisk in speed.