Robert Redford
The Old Man and the Gun is a love letter to many things: the 1970s/early ’80s, the aging outlaw trope so often seen in Westerns, and to film itself.
The Old Man & The Gun is based on the true story of Forrest Tucker and his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
The Discovery dabbles in too many genres and never makes a compelling case for any of them, resulting in yet another lackluster Netflix film.
If you’ve ever wondered why fantasy has always been a popular genre in fiction, it might help knowing that all fiction is a form of fantasy, and that stories are a type of self-preservation. Take Martin Scorsese’s wildly entertaining and greatly underappreciated Shutter Island, in which the main character, Teddy, is on a mission to prove he is innocent, only for the truth to reveal that he is anything but. As Teddy becomes fully aware, he finds out that he has created an elaborate fantasy, a hyper-fiction as a ruse to shield himself from the harsh reality.
