romance
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.
For this Film Inquiry Roundtable, the team talks about their favorite romances.
In Dreamland, Margot Robbie is perfectly cast as a complex woman whose outlaw glamour belies her inner darkness.
Nils Bokamp’s You & I follows two men on a road trip, whose friendship is brimming with unresolved sexual and romantic tension
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!
With two perfectly cast roles in Colin Firth and Stanley Tucci, Supernova lovingly ponders on the preciousness of memory and time.
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
The Guernsey Literary and Potato Peel Pie Society is a story about stories, why we share and retell them, and why we adapt them.
If you’re looking to wallow in despair, rather than escape it, then Damnation is the film for you.
If you’re feeling nostalgic for early oughts movies like She’s All That, then Latter Days from C. Jay Cox is for you.
Summer of 85 is one of the best coming of age stories in recent memory – an affecting tale of first love and first heartbreak.
There is a cathartic experience Shithouse lends to its audience, a character study not so much in the characters themselves but character of emotions.
Mike Flanagan’s The Haunting of Bly Manor once again sees him revisiting an old horror text as a roadmap to explore human emotions.
Eternal Beauty is nonetheless an enjoyable film with admirable intentions, elevated by the sensitive work of Hawkins and her supporting cast.