Away is clearly built to inspire, a sense of inspiration feels even stronger and more emotional by the time you arrive at the finish line.
At the end of the day, Plan B is a sweet little story that turns a familiar plot on its head in a positive way.
Japanese master filmmaker Nobuhiko Obayashi’s final movie Labyrinth of Cinema is a love-song to movies and a reckoning with Japanese history.
Princess Rita is a film of subtle contrasts that distracts from a storyline that could easily be told as a cautionary tale of internet naivety.
With a stellar cast and the beautiful cinematography, a benchmark of the Merchant Ivory productions, on full display, Maurice is well worth the watch.
From Jeff London comes Arizona Sky, which feels like it would be a perfect entry for Mystery Science Theater: Gay Edition.
Life is Easy stands apart in the comedy landscape because every important issue is handled with respect, while finding comedy that never demeans.
A deeper look at the final moments of Moonlight and A Portrait of A Lady on Fire lead to a profound philosophy of acceptance applicable to everyday life.
We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
The Sunlit Night its tale with a strange sense of quiet tranquility blended with underlying dismay without being cloying to its subject matter.
Can You Keep a Secret? is not the worst romantic comedy but its dull premise will fail to spark any real excitement from the genre’s fans.
The Way He Looks is a poignant coming-of-age movie with an incredibly sweet romance between Leo and Gabriel at its core.
From the premise, it seemed like it could be a sort of lascivious movie, but Going Down in La-La Land was a surprisingly entertaining film.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
Retrocausality has a lot of pieces that could make both an interesting and philosophical character study but it is not executed well.