romance
It’s difficult to manage a ménage à trois- the married couple at the center of First Blush, figure this out the hard way in this film available this weekend from NFMLA.
While not shooting very high, The High Note is light, charming, and filled with all around winning performances.
Fleabag portrays love in such a unique, true way that it takes several watchings to fully understand the depth of it. Are love and attention the same thing?
Hillary Shakespeare’s Soundtrack to Sixteen is a concise and delightful examination of teenage insecurities with great performances and strong writing.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
Maintaining the humor of season one, the latest season of Ramy is also moving, heartbreaking, and relevant.
Despite Martin Eden being only two hours, it is so densely packed with a cosmos’s volume of emotion and life, that it is as epic as any Sergio Leone or David Lean film.
The Man with the Golden Arm’s outlawed aesthetic and spirit make it a tangible and lasting achievement.
Our latest in the Queerly After Series is about 2017’s God’s Own Country.
Alice is a film that should enlighten anybody, because it’s about society as much as it is about Alice herself.
Alice Wu’s The Half Of It is a tender teen romance and a nuanced take on sexuality and friendship. Andrew Stover reviews.
Endings, Beginnings seems to be an illuminating experience for the actors involved, but an aimless drag for audiences watching.
We spoke with Drake Doremus, director of Endings, Beginnings, about the process of the film, what inspires him, and how he’s keeping busy during these strange times.
Why is there an ironic romanticism around doomed romance? What is the reason for this redefining shift within the genre?
Despite a short runtime, Wives of the Skies packs a mighty punch when it comes to examining gender stereotypes. Lee Jutton reviews.