Sidney Lumet
Plenty of legendary films have gone home empty-handed, so to remind ourselves just how precious this year’s ceremony really was, we’re taking a look back at some of the best movies that were up for Oscars but somehow won nothing.
With more and more sequels, prequels and spin-offs hitting our screens, Luke Walpole examines the focus on backstory in cinema.
Some films parody the media, others predict what effect it will have on us in the future, other movies just have fun with the subject. Whether its a streaming network, printed journalism, television or radio transmissions the media is massive, and inescapable, so why not make movies about this oppressive facet of life? These films vary in years, themes, genre’s and that’s why they are so important.
My visit to Auschwitz was more uncanny than overwhelming As a child my eyes used to always glaze over when my father watched what he gleefully called ‘boring black and white documentaries’, it was all he ever put on the television. Despite this, I still had an interest in World War 2, it was the most pivotal moment of the 20th century and so many films have been influenced by the event, however the Vietnam War films of the 70’s and 80’s garnered most of my attention in my early teens. By my late teens however, I found my once average interest burgeoning to the point where I was the one incessantly watching the boring black and white documentaries.
The word “gritty” is often used by reviewers to describe films which portray graphic physical violence, lone wolf characters, and probably a line of coke or two. While I feel that’s accurate, my own personal definition for a gritty film differs slightly. If I describe a film as gritty, expect it to be both emotionally and physically violent and draining.
