SXSW
It ain’t SXSW if we’re not getting our horror and action comedies. This year is no different, as we get some of the most unhinged headliners to date.
There are a lot of different kinds of love, and whether it be familial or romantic, it never comes easy. We take a look at two such films at SXSW:
This year SXSW did it again and selected some of the weirdest, wackiest, and most laid-back comedies.
These three SXSW titles shook up the status quo and took (mostly) unexpected turns to create something exciting.
Two of the films at SXSW this year were about the high school experience and the way art can transform and heal.
Film Inquiry got to sit down with writer‑director Megan Rico, co‑director Kade Atwood, and stars Adi Madden Cabrera and McKenna Tuckett to discuss Edie Arnold is a Loser.
From SXSW we take a look at Drop, Death of a Unicorn and Slanted!
Film Inquiry spoke with Yangzom Brauen, Martin Brauen and Michael Raimondi for the new documentary: Mola.
Film Inquiry spoke with Ben Leonberg and Kari Fischer, the team behind the dog focused ghost story Good Boy!
At the 2025 SXSW Film Inquiry takes a look at Good Boy, Redux, Redux & Mermaid.
Film Inquiry spoke with editor Lucas Harger, who had two films recently premiere at SXSW!
In this SXSW report, we take a look at two female-driven titles: An Army of Women and We Were Dangerous.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Three of the biggest headliners this year’s SXSW Film Festival are action movies, featuring some of the craziest fist fights seeen on the big screen.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.