thriller
Valentine was never meant to be a deep well of thought within a slasher, but it does, even when it leaves much to be desired.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
In his final Sundance coverage, Kevin Lee reviews Call Jane and Emily the Criminal.
Sundance 2022 has lots of horrors, enjoying a blend of scares with real sobering commentary about the world today. Kevin Lee reviews Master & Resurrection.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.
With God’s Country, director Julian Higgins takes an introspective dive into the underbelly of humanity’s darker instincts.
For her first report Kristy Strouse talks Fire of Love, Watcher and Lucy & Desi!
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
Delivering all the thrills, strong performances and intense handheld camerawork, 892 comes with an agenda and call to action in mind.
Scream is a knock-out success, showcasing the power horror inductions can still wield through modernization and an honoring of the past.
While filled with gorgeous shots of the desert landscape, Borrego fails to engage its audience.
Nightmare Alley is a tense thriller that will be sure to please audiences if they can get past the film’s length, but it still had potential to be more.
Black Christmas is not the knock-out holiday film you might be craving, but it entertaining to say the least.