thriller
Lapsis is topical, revolutionary, and maddening, encouraging viewers to think critically about the economic systems that govern their lives.
The Trial of the Chicago 7 has the potential to become a bona-fide crowdpleaser that will resonate with its target demographic.
Attack The Block from Joe Cornish remains a rare gem that challenges the audience just as much as it entertains.
The Devil All the Time is disturbing and unrelenting in its catharsis and its portrayal of the cycles of violence.
Fargo feels monotone as it’s too busy delivering speeches instead of creating compelling arguments about the timeless topics it wants to tackle.
The ghosts and ghouls are fun, but this is ultimately supposed to be an allegory for Taiwanese oppression, and on those grounds, Detention fails.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
Maria Lattila chatted to director Darren Lynn Bousman about his new film Death of Me as well as the upcoming Spiral: From The Book of Saw
Darren Lynn Bousman’s Death Of Me is fascinating and terrifying but occasionally stumbles into problematic territory.
Let’s Scare Julie is technically ambitious and impressive, but never utilises its format to the fullest.
Anchored by a strong performance from Chloë Grace Moretz, Shadow in the Cloud is a ferociously entertaining thrill ride.
A snapshot of malaise that goes on far too long, the movie soaks in mood when it should have floated through it.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
The Devil All The Time balances each story, giving it is time to flourish and each character’s contribution to the others to be fully realized.