thriller
A snapshot of malaise that goes on far too long, the movie soaks in mood when it should have floated through it.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
The Devil All The Time balances each story, giving it is time to flourish and each character’s contribution to the others to be fully realized.
I Care a Lot subjects its audience to the devils whose company is never entreated, but whose dastardly dispositions are never without flair.
While it may not land as smoothly as it hopes for, what #Alive offers here is still refreshing, warranting the attention of its audience.
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
Cetigrade is a chilly thriller that never turns up the heat, leaving the audience with little reason to chill with the imperiled couple.
Wilson Kwong spoke with director Alex Prieur-Grenier about his film 2011, premiering at Fantasia Film Festival 2020.
Unhinged attempts to evoke the fears and stress of living in our modern times, yet it mostly remains stuck in first gear.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.
Train to Busan Presents: Peninsula does not reach the heights of its predecessor, but it’s still a satisfying summer diversion.
Sputnik is a solid alien-driven thriller; it’s when it focuses on the more human elements to its story that it stumbles.
What We Found is a well-paced thriller that explores important issues while blending darker elements with a realistic and engaging friendship at its core.
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.