thriller
Kairo’s ghosts aren’t unearthly terrors, but rather memories of people lost, without names or faces, silently preparing themselves for an eternity of death.
By this episode’s completion, we now know everyone is on the hunt for revenge and a bloodbath. Who will be victorious in the great clash of 1989? Only one way to find out.
In his latest report from Film Fest 919, Josh Martin reviews Jojo Rabbit, Motherless Brooklyn and The Report.
Glass Cabin is a delectable little horror short reaching into the depths of the human mind, a mind that cannot be trusted.
Despite Nat Wolff’s outstanding performance, those interseted in The Kill Team are better off sticking with the documentary.
The Dead Center is one of the more intriguing, effective indie thrillers as of recent memory.
With the second half of the season left to still air, and the follow-up episode giving attention to the survivors, AHS 1984 seems primed for a sequel.
While not challenging, The Parts You Lose is a thoughtful if not meager meditation on the relationships that define us.
As we approach the midseason, body count rising and with no escape, “True Killers” was proof that AHS 1984 is far from slowing down.
Somewhere in the passable 90-minute In the Tall Grass is an hour long short that’s riveting, tense, and short enough to not overstay its welcome.
Ever since its Palme d’Or winning debut at Cannes, Parasite has been accumulating buzz like…
With a return to its roots, AHS 1984 is stronger than it has been in a long time, delivering the horror and the entertainment of genre films of the past.
The remake of Jacob’s Ladder is a simplistic but overly convoluted horror with no thrills and spills.
Night Hunter’s stellar cast, skilled musical score composers, and a solid set of inspirations combine to little beyond an uninspiring drama at best.
Bong Joon-ho has put together an intricate, multi-layered portrait of inequality and class. At the same time, he keeps the experience fun and intoxicating.