thriller
The Fanatic, directed by Fred Durst and starring John Travolta and Devon Sawa, is campy, a bit ill-spirited at times, but I still couldn’t turn it off.
Dark and gritty, Joker is a pressure cooker of emotional abuse that is just ticking, ready to blow at every minute.
The plot thickens in episodes 4-6 of Mindhunter: Season 2, as the dramatic fallout of the first season fades into the rear view mirror and the intense conflict of this new season shifts to the forefront.
While Ad Astra is no doubt visually stimulating, ultimately Gray’s film is a meandering lifeless existential entity that overly emphasises on simplicity.
Driven is a film that, despite a unique structure and talented cast, doesn’t feel as inventive as it sets out to be.
Kristy Strouse spoke with Devon Sawa about his experience making The Fanatic opposite John Travolta, some of his most famous roles, and what he looks for when choosing new projects.
Season 2 of Mindhunter reminds us why we adore this show: it’s gripping, intoxicating television, as engaging on a scene-to-scene basis as it is on a grand narrative level.
Sadly, Ecco fails to deliver good writing and a visual instinct to its audience, loosing trust and the ability to keep them interested.
Jim Dixon spoke with director Shawn Ku about his latest film A Score to Settle, working with Nicolas Cage, regret and revenge and what the future holds next.
Kristy Strouse spoke with Bruce Dern about his latest film, Freaks, working with his young castmate, what he looks for in characters, and how things have changed for him over the years.
Them That Follow needed a bit more oomph to truly stand out, especially with a cast this talented and a subject this ripe with potential.
Mr. Jones is a harsh, masterful film about being wary of the lies being fed to you by your media and your government.
Where the company has become an auteur-like entity synonymous with good, cheap thrills, The Keeping Hours just isn’t scary enough to live up to Blumhouse’s horror brand.
Surrealist comedy Nothing Really Matters involves nightmarish imagery and brimming uncertainty that makes you think of a David Lynch movie.
In our recap from the The Volvo Scandinavian Film Festival 2019, we cover two high-profile premieres: The Purity of Vengence and A White White Day.