thriller
Too Old To Die Young is an exhausting watch, we can only assume there will be a big reward at the end for us loyal viewers.
We spoke with Morocco Vaughn, a Chicagoan filmmaker whose directorial debut Mollywood has just been released to digital and on-demand.
The Refuge keeps patient viewers hooked and film lovers invested by maintaining a harsh and eye-catching atmosphere and storytelling angle.
Though beautifully crafted, Too Old To Die Young is a slow and frustrating watch that’s hopefully worth it in the end.
A film that is not enjoyed so much as processed, Midsommar is a rare experience that is not to be missed. That being said, you absolutely cannot skip it.
#like explores violence against women in an interesting way, but feels convoluted at times. Zoe Crombie reviews.
The Devil and The Lovers serve as a fascinating double-bill of Too Old to Die Young but it remains to be seen whether the series will grow into its own.
While Head Count shows potential and has some really good high level thoughts, there’s just not enough scares to bring the film to life.
Directed by Deon Taylor, The Intruder treads into territory that is unfathomable for most of us and may not be the kind of place you want to stay in.
By using a traditional revenge movie template, Jennifer Kent reminds us that we can have no catharsis for the horrors of the past.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
Yes, it’s a dark crime drama – but The Gangster, The Cop, The Devil is more mainstream friendly than most South Korean thrillers.
We spoke with Hilary Swank and Clara Rugaard, stars of the upcoming sci-fi thriller I Am Mother, about what makes this specific sci-fi so intriguing.
With abundant humor and a gruesome ending, Ma is a knowingly silly horror film that allows Octavia Spencer to revel in the grime.