thriller
Ultimately, though the package may feel familiar, The Devil’s Bath still has cogent ideas to share.
From Tribeca Film Festival 2024, Soham Gadre takes a look at CHAMPIONS OF THE GOLDEN VALLEY, BAM BAM: THE SISTER NANCY STORY & THE WEEKEND!
Jonathan Millet’s Ghost Trail and Guan Hu’s Black Dog both tackle serious subject matter with subdued restraint.
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
Femme is both mean and tender, displaying how sexuality and secrets can keep ones real self in violent confrontation with one’s masked self.
A timely horror satire chock full of gore and guffaws, Humane entertains in spite of its flaws.
A man and his teenage daughter realize they’re at the center of a dark and sinister event while watching a concert.
One of the most painfully lovely films of last year, Monster is a moving reminder of the importance of empathy and understanding.
Society of the Snow delivers a powerful narrative that transcends the screen, prompting audiences to contemplate the depths of human endurance.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.
Admirably, Sew Torn remains winningly earnest in its treatment, aiming for Edgar Wright’s shaggy dogs over Nolan’s smooth criminals.