TIFF
The uber-formalistic approach of The Zone of Interest may strike some as unfeeling and morally empty, but it’s an authentic film.
With the second report from TIFF we are brought three wildly different films, and a TV series, all bold in their individual ways.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
In our latest from the 2023 Toronto International Film Festival, Kristy Strouse reviews Irena’s Vow, Days of Happiness and Holiday!
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
In our latest report from the 2022 Toronto International Film Festival, Faisal Al-Jadir reviews Venus, Sisu and Viking!
In her second report from TIFF Kristy Strouse reviews Susie Searches, The Blue Caftan and Subtraction!
As part of TIFF 2021, we took a look at The Power of the Dog, Benediction, After Blue, and Compartment No. 6.
Scarborough follows the lives of three families and expands on their struggles and triumphs as they navigate through adversity.
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
Just like the movie-within-a-movie style Hansen-Løve uses to tell the story, her latest film is a layered, intelligent work full of reflection about art, life, and relationships.
Film Inquiry sat down with Blaine Thurier and Alanna Bale sat down to their latest film, Kicking Blood, as part of TIFF 2021.
Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.