Toronto International Film Festival
On this TIFF report, Kristy Strouse reviews The Mother and the Bear and Shepherds – two unforgettable films on a path to self discovery.
Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.
Both TIFF films yearn to be more than what they actually are, but alas, gets stranded in a middle ground of mediocrity.
Conclave and We Live in Time are prime examples of solid filmmaking, that will likely be successful regardless of what accolades they end up garnering.
An unexpected and comical disclosure of one couple’s path, Paying For it leaves a lingering impression.
Wala has crafted a fine story, and impresses in his feature film debut with the TIFF film: Shook.
For his first report from Toronto International Film Festival, Wilson Kwong looks at two films based on true events.
Poolman might not be for everyone, but for those of us who want to see a Chinatown-loving himbo finding himself in his own mystery, this is a worthy comedy.
In some shape or form, both protagonists from the following Saudi Arabian films are limited…
Film Inquiry spoke with Gary Clark, Composer of Flora and Son!
Film Inquiry spoke with Nora el Hourch for her film Sisterhood!
Fair Play is a hauntingly realistic depiction of toxic masculinity and sexual politics centered within the cutthroat and challenging world of high finance.
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Kristy Strouse spoke with Christian Sparkes for his film The King Tide, along with its two stars!
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.