Toronto International Film Festival
With a simple premise but endless complexity, Monster sees Hirokazu Kore-eda’s compassion and empathy presented at such a masterful level.
Unfortunately, every single second that came before the ending in Alice & Jack was terrible.
Capturing the beauty of everyday life, Here is a beautiful exploration of humanity and our quest for understanding.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
The uber-formalistic approach of The Zone of Interest may strike some as unfeeling and morally empty, but it’s an authentic film.
With the second report from TIFF we are brought three wildly different films, and a TV series, all bold in their individual ways.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
In our latest from the 2023 Toronto International Film Festival, Kristy Strouse reviews Irena’s Vow, Days of Happiness and Holiday!
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
The Royal Hotel is at times a tense and engaging thriller with poignant performances, but sometimes its message feels muddled.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
In our latest report from the 2022 Toronto International Film Festival, Faisal Al-Jadir reviews Venus, Sisu and Viking!
Film Inquiry spoke with star Zar Amir Ebrahimi and writer/director Ali Abbasi for Holy Spider, a compelling crime thriller from this year’s TIFF!
With her last TIFF report, Kristy Strouse covers two Midnight Madness flicks!