United Kingdom
Year of the Rabbit thrives in its beautiful blending of cinematography, music, and script that all come together to create an experience you do not want to miss.
As we wait for the next James Bond installment, we take a look back at the 1967 spoof: Casino Royale.
Featuring a strong performance by Bill Nighy and not a whole lot else, there isn’t much in Sometimes Always Never to make this film stand out.
Lee Jutton spoke with Agnieszka Holland about her film Mr. Jones, the most surprising thing she learned while making the film, and the role of journalism in keeping democracy alive today.
Mr. Jones highlights the need for investigative journalism even in a world where hard evidence can be met with accusations of untruth.
The final installment of the wonderfully light The Trip series has the same offerings fans can expect, with lots of new favorable additions.
As we wait for the next Bond installment, we take a look back at the 1965 film: Thunderball.
The idea seemed like the perfect match up. Unfortunately, Tommaso does not live up to the expectation.
Proving that history is still relevant to the present, The Great is a unique period drama that is part entertaining, brutal, and raunchy all at once.
Hillary Shakespeare’s Soundtrack to Sixteen is a concise and delightful examination of teenage insecurities with great performances and strong writing.
Marcus Flemmings’ new feature Palindrome eludes narrative convention just as much as it eludes thematic coherence.
What the show lacks in the easy charm of simplicity, it makes up for in a deeper emotional connection. Lovesick doesn’t replace the rom-com, it just offers a new, often improved, take on it.
Our latest in the Queerly After Series is about 2017’s God’s Own Country.
Goldfinger boldly takes Bond bigger and better than ever, delivering an exhilarating entry comprised of many of the series’ greatest hits.
I have a book that’s been staring me in the face for years. It sat…
