United Kingdom
Season 5 of Peaky Blinders brings as many twists and turns as the previous seasons – and it just keeps getting better and better.
Philophobia is a film where words are meant to have stories unto their own with connotations and nuggets of meaning buried within.
My Zoe goes beyond expectations by delving into the emotional ruins of conflicting morality with such perfection, and proves Julie Delpy to be a truly remarkable filmmaker.
A coming-of-age film which strives for irreverent authenticity, Our Ladies ends up clunky, a little cringey and uninspired.
Not only does White Riot present a compelling case of why the fight against racism isn’t over, it makes you want to join in.
The Village in the Woods is a deviant slow burn with just enough horror to satisfy you this Halloween, even if it gets a bit muddled along the way.
Gwen is an effective and daunting horror that engulfs its audience with perfect production design and cinematography that throw you into the eerie and frightening Welsh highlands.
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Overall, Downton Abbey’s worth as a film depends on your feelings towards the original show.
The Last Tree isn’t perfect, but it’s an honest and insightful coming of age story that deserves to find an audience.
A Shaun the Sheep Movie: Farmageddon feels messily reverse engineered, a lazy Spielberg riff forcibly created just to fit the punning title.
The inspirational story of a teacher reaching his or her students to help them succeed…
Much like Gallagher himself these days, Liam: As it Was is a tided up version of the rock-and-roll star’s story.
While it just never rises above mere pleasantness to be truly compelling, The Bromley Boys is entirely pleasant to watch.