United Kingdom
Femme is both mean and tender, displaying how sexuality and secrets can keep ones real self in violent confrontation with one’s masked self.
With Easter just around the corner, it felt like the perfect time to check The Omen off my list.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Stopmotion is a unique gem within the realm of horror, capturing the disintegration of a puppet and puppeteer.
Durkin’s moving, muscular tale will astound and captivate you, and is unlikely to leave a dry eye in the house. The Iron Claw is a spectacular triumph.
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
Criterion’s new 4K Ultra HD Blu-Ray is the best Trainspotting has ever looked and sounded on home video format and is the definitive way of viewing.
While those looking for genuine chills should certainly seek them elsewhere, this movie is batting at a surprisingly high level.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
“Pain Hustlers” is a decent film that is entertaining enough, yet it is met with the brutal truth of a pain fatigue within the industry.
Napoleon feels a lot like its titular character: loudly ambitious to a fault, and it can’t make up its mind on what to be.
Good Omens season two is truly beautiful in every sense of the word and is an absolute must-watch.
Is Andrew Haigh okay? Silly question: Of course he isn’t, he’s a filmmaker. An auteur,…
Jonathon Glazer’s The Zone of Interest is a hauntingly reverberating film that will stick with its audience long after the film has concluded.