United Kingdom
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
A giddy glimpse at medieval girlhood that isn’t without substantial emotional weight, it is a fun film that the entire family can enjoy.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
While both Causeway and Aftersun are first time features by a promising young filmmaker steeped in examining our past sorrows, both do so in different ways.
Mukdeeprom and Howard make Thirteen Lives an entertaining and emotional translation of a major news event that captured the world.
Rogue Agent isn’t your average spy movie—mostly because the central character is not your average spy.
Flux Gourmet is a movie wholly dependent on making sound editing and cinematography do all the work and they can’t quite get there.
While it crafts compelling images, She Will doesn’t do enough to stand out from other recent films to use psychological horror to tell a tale of #MeToo.
Brian and Charles feel like such a British invention; however, its themes and its heart are universal and large.
“Long Live My Happy Head,” a new Scottish documentary directed by Austen McCowan and Will Hewitt, depicts Gordon Shaw’s art, life, and battle with cancer.
The Stepfather is not the knock-out it wants to be, yet there is a horror within its framework and excellent lead performance.
In Sophie Hyde’s Good Luck To You, Leo Grande, the stigma surrounding sexuality and age are examined and pushed.
In Crimes of the Future, the horrors and beauty of the human anatomy, both inside and out, are a work of grotesque art and performance.
For this Horrific Inquiry, we take a look at the 2010 horror starring Ryan Reynolds: Buried.