United States
Some of this year’s coverage from Sundance Film Festival 2026, the last in Park City.
Dave Bautista is a fascinating actor. As a professional wrestler-turned-film actor, he could have been…
With Vindicta, Sedlar commits fully to Hannah’s descent, resulting in a visceral character study of loss, rage, and the devastating cost of survival.
Like Strawberry Mansion before it, OBEX is a cinematic adventure with substantial charm in spite—or perhaps because—of its imperfections.
Chaperone is a truly unique film with stellar talent behind and in front of the screen.
Cover-Up is about much more than just one man’s lifelong search for the truth; it’s a film about the importance of constantly interrogating those in power.
Hello hello, everyone! Spooky season has come and gone, and with it the annual rush…
Weapons is many things: an entertaining genre film that is both funny and horrifying, an acting showcase for its talented cast.
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Together’s greatest strengths lie in its wry reflections on the pleasures and perils of long-term romance.
Gilliam’s preferred ending to Brazil is bleak and bitter, yet because of that, it feels all the more realistic.
Videohaven is equally cogent and compelling, evoking the kind of deep, amiable cinephilia that video store nostalgia is fueled by in the first place.
Fans of midnight madness should look no further than Dog of God, one of the most highly anticipated attractions for genre aficionados at Tribeca.
Admittedly, I didn’t get into the Final Destination series until just recently, but of course I…