United States
Sadly, the film’s attempts to generate tone and intrigue can’t overcome the obstacles of a weak, confusing script.
With the buzz surrounding the hype of the upcoming Oppenheimer, the lackluster representation of Richland weighs heavy.
If you like the stories of Stephen King or you just like to be scared, this is something you should really be checking out.
Street Fighter reminds us that even a bad movie can be loads of fun and make you feel like a little kid again.
Bad Things struggles with its interactions, yet excels in its horror.
From anger to frustration to tears, Take Care of Maya delivers a deeply affecting look at the breakdown of a family when another says its broken.
The spell Playland casts over its subject matter, an act of poetic reanimation, carries over to its viewers.
This is Not Financial Advice achieves its overall goal, without explicitly telling audiences the right or wrong way to embark on the financial market.
Against All Enemies is surprising in the emotions its garners from its audience, always resolute to is overall message, but unafraid to listen.
The Black Demon is so bad that it actually ends up being great.
Padre Pio leans into its politics and historical fealty; the spiritual aspects are heady, abstract, and dense.
Unidentified Objects is a fantastic love letter to road films.
Grounded by the incredible performance of Sissy Spacek and the masterful direction of De Palma, Carrie is a horror masterpiece that defies convention.
Being Mary Tyler Moore not only is it full of personal remembrances, but it also her career that was so intimately intertwined with the rise of television.
Dazzling and wondrous, The Little Mermaid makes a solid transition to become a part of Disney’s live-action world of remakes.
