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THE OA: Sophomore Season Raises the Bar Even Higher
THE OA PART II: Sophomore Season Raises The Bar Even Higher

The OA Part II was better than one could have ever imagined, its ingenuity and trust in its audience, coupled by the brilliant execution of its power duo, brought the series to new heights.

MARISOL: A Short Film that Pacts a Punch With Precision and Execution (& Interview)
MARISOL: A Short Film That Packs A Punch (& Interview With Director Zoé Salicrup Junco)

Marisol is an eye opening experience for the viewer, its intensity and visual representations resonating long after the short has ended.

WILLIAM: Evolution Of Meh
WILLIAM: Evolution Of Meh

Though with a premise that sounds intriguing, William is a curio taken in entirely the wrong direction.

UNICORN STORE: Brie Larson's Phenomenal Directorial Debut Oozes With The Thaumaturgy Of Childhood
UNICORN STORE: Larson’s Directorial Debut Oozes With The Thaumaturgy Of Childhood

Unicorn Store, Brie Larson’s directorial debut, marks the beginning of a new chapter in the multi-hyphenate’s career.

MEME: A Cluttered, But Invitingly Ambitious Existentialist Mystery

Meme can be a brilliant thriller when it wants to be, but there is a heck of a lot of philosophising bridging those tenser moments.

DIANE: A Sluggish Study Of Servitude

Kent Jones’ Diane struggles to define itself as something more than an average, albeit thoughtful, indie film.

THE WIND: A Breath Of Fresh Air Amongst Modern Horror
THE WIND: A Breath Of Fresh Air Amongst Modern Horror

The Wind reverberates with an eerie tone, and though occasionally uneven, there is enough here to ultimately recommend it, especially for fans of Westerns or horror.  

Justin O’Neal Miller’s PEGGY Wicked View Of Kids’ Birthdays In Suburbia

We were able to speak with Justin O’Neal Miller, writer and director of the comedy short about American suburbia called Peggy.

STOCKHOLM: Finds A Perfect Balance Between Broad Humor & Sincerity
STOCKHOLM: Finds A Perfect Balance Between Broad Humor & Sincerity

Stockholm is successful in doing the impossible – making the viewer understand and even empathize with the interpersonal connection between a hostage and her captor, and vice versa.

THE BEST OF ENEMIES: A Complex Story Is Stifled
THE BEST OF ENEMIES: A Complex Story Is Stifled

A promising start quickly descends into troubling formula in The Best of Enemies, wasting two excellent lead performances and a potentially interesting story.

TYREL: A Bold Portrayal Of Race And Masculinity
TYREL: A Bold Portrayal Of Race & Masculinity

With virtually no plot and very little character development, Tyrel works best as an examination of masculinity and race.

SHAZAM!: DC Hits A Heroic Grand Slam
SHAZAM!: DC Hits A Heroic Grand Slam

Shazam! is a walk-off grand slam in extra innings, feeling like a statement from a studio and director working so hard to finally get it all right.

FLAY: Indie Horror Fails to Hit the Mark
FLAY: Indie Horror Fails To Hit The Mark

Flay boasts an intriguing and unique horror concept, but is let down by a lack of depth to its characterisation.

THE PUBLIC: An Honest Look at Homelessness and Humanity
THE PUBLIC: An Honest Look At Homelessness & Humanity

The Public is an amusing and eccentric film that provides a candid look at humanity, a powerful reminder to be kind and put our biases aside.

The Overlooked Similarities Between GREEN BOOK & BLACKKKLANSMAN
The Overlooked Similarities Between GREEN BOOK & BLACKKKLANSMAN

Green Book and BlacKkKlansman both deal with race relations in America. We discuss why they may both be problematic in their discussions of race.