United States
Live by Night is the next directorial effort from Ben Affleck, in which he also stars/writes/produces; it is another indicator of his talent.
Road to the Well has redeeming qualities, including fine acting and cinematography, yet it falls short of greatness from its lacking story.
Does the sixth instalment in the Resident Evil franchise break the mould by being the movie that fans have always wanted?
Gentleman’s Agreement is not merely an indictment of anti-Semitism, but a film that also “agrees” with the domestic concerns of its day.
The Birth of a Nation is often relentlessly dark and bitter, and as a result is only partly a success at delivering its compelling message.
Paul Thomas Anderson deeply cares about his characters, and the world that surrounds them. These themes are front and centre in The Master.
With Certain Women, director Kelly Reichardt has created one of the most human cinematic universes in recent memory.
Sing is a film which is trying to look on the more positive side of these singing competitions; it is about hope and a real desire to change.
Myrtle Beach takes a look at working class people within the predominantly conservative city, painting them in an empathetic, relatable light.
Chapter & Verse is another strong reminder that stories about black lives must continue to be told—even if it treads familiar ground.
Rings is a film that falls flat on its face, failing to capture the raw and understated tension in the original American remake.
Filmed on a micro-budget, Anna Rose Holmer’s The Fits is a stunning debut feature, dealing with powerful themes of identity and gender.
Fences was recently nominated for multiple Academy Awards, but is Denzel Washington’s passion project worth all the hype?
With an invigorating score and fantastic performances, Jackie is also a biopic that reflects on the current environment of celebrity culture.
Paterson is informed by the rich tradition of American poetry and modelled as a gentle meditation on the minutiae of artistic life.