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Film Inquiry spoke with Daniel Goldhaber, one of the most exciting filmmakers to be working in cinema recently!
The most positive praise that can be bestowed on The Super Mario Bros Movie is that it’s not as bad as 1993’s Super Mario Bros.
There was a movie here but somewhere along the way it got buried in vitriol and forgot to be entertaining.
While not all elements come together as cohesively as others, Jennifer’s Body proves itself to be one wild, satirically horrific experience.
While Summoning Sylvia does drag on occasion, it still delivers a very fun and funny ride from beginning to end.
One of the best shows of 2023 so far, Beef is an impeccably cast, riotous effort that disarms and discomforts in equal measure.
Everyone involved displays an appreciation to be on the screen telling this wacky, poignant, and compelling story, making this a total recommendation.
Hulu’s Boston Strangler, starring Keira Knightley and Carrie Coon, is the best serial killer–journalism movie since Zodiac.
Pay or Die chronicles the battle to improve insulin costs and the healthcare system, capturing the grief of those lost but also showing hope and resilience.
The Magician’s Elephant is heartwarming and pure, and while predictable to a fault, it is a film the whole family will enjoy.
The perfect sequel to a requel, Scream VI is love letter to horror, to a franchise and to its fans, proving that not all stories are dead.
Leprechaun 3 is not a film that will be at the top of your watch list this season, yet it speaks to the continuing campy nature of the Leprechaun franchise.
Critiques aside, Shadow and Bone’s second season is not without its successes, and by season’s end, you will find you can’t wait to return.
At a solid 93 minutes, director Oliver Park’s The Offering is a quick and creepy watch.
Peak Season is no reinvention of the wheel here, but there are things to recommend.