United States
The Electric State is a turgid mishmash of sci-fi with little uniqueness, bland characters, and a story so eye-rolling it may have been written by AI.
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
Bloody Axe Wound’s ideas were there but the writing couldn’t back them up or bring them to a place where we could fully care about anything happening.
Last Breath is a movie that strips away all the Hollywood fluff, but turns in a delightfully-tense docudrama-thriller.
Like a Saturday Morning cartoon drenched in blood, The Monkey throws everything it can at its audiences.
Play It as It Lays is the rare adaptation of a literary masterpiece that lives up to the source material.
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Any chance I get to live vicariously through someone else’s experience in Japan, I’ll take…
Presence is not a good horror movie. Instead, the film succeeds as a melancholy drama.
The best that can be said for Wolf Man is that, like its well-intentioned yet nevertheless obviously doomed protagonist, its heart is in the right place.
Babygirl’s depictions of kink, while surface-level can ultimately be read as an intricate and compelling portrait of powerplay as direction.
Strange Darling is fresh and original, a thriller for the ages on an indie budget.
I realized many years ago that Illumination’s animated films are all about gags over stories.…
Black Can is worth a one time watch, if for no other reason than to see Nick Frost really let loose.
Woman of The Hour did an amazing job of capturing a time and place while still keeping it relevant for today’s world.