United States
From the layers of trauma to the shocking twist ending, Carnival of Souls is a classic cinematic experience best shared with others.
The Day the Music Died: The Story of Don McLean’s American Pie goes into the mythology around the song that runs deep and wide, resonating with so many.
Based on “The Dreams in the Witch House”, Bobby Easley’s 2021 H.P. Lovecraft’s Witch House aims high as it tackles the supernatural.
At its core, Where the Crawdads Sing is an examination of abandonment and loneliness, as well as survival within the unrelenting naturalist circle of life.
The Princess is a bloody, action-packed adventure, that while entertaining, lacks the depth it had originally promised its viewers.
Even with this rushed ending and various bumps in the road, Persuasion proves itself a modest adaptation that, while not the best, is sure to entertain.
By time-traveling Beavis and Butthead to the future, it forces the cultures of past and present to have to confront each other’s stubbornness.
There’s a lot to take away from Hallelujah: Leonard Cohen, A Journey, A Song, including, most importantly, a better understanding of the artist himself.
While not the worst Thor film, Love & Thunder has a lot of potential in its fantasy adventure but rarely rises to become a worthy sequel.
Brian and Charles feel like such a British invention; however, its themes and its heart are universal and large.
The Rwandan-American neon-brushed Afrofuturist musical Neptune Frost is a film radiating with vigorously sensible energy and insight.
On this Horrific Inquiry, we review the 2008 remake of Prom Night!
Lacking horror and empathy, Abandoned is film that should be just that – abandoned.
With only eight episodes, most a half-hour, The Bear is a funny, tense, and riveting binge.
Mad God bursts and spews onto the scene in absolutely take-no-prisoners fashion and has steadily placed itself close to the top of the pile as one of the best movies of 2022.