United States
Generation Terror proves a refreshing revitalization of the nuances under all the blood and guts, as well as the guts themselves.
Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.
King’s books are often made into films,and they can be hit or miss depending on who made them. The new Salem’s Lot is the latter.
Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.
While Apartment 7A far exceeds the 1978 sequel and the 2014 remake of Rosemary’s Baby, it neither lives up to the suspense or the politics of the original.
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.
For this Horrific Inquiry we take a look back at Friday the 13th, Part II!
While Subservience knows how to deploy its star, it still can’t fully live up to the promise of this meta-premise or her talents as a performer.
Both TIFF films yearn to be more than what they actually are, but alas, gets stranded in a middle ground of mediocrity.