United States
Wilson Kwong spoke with Natalie Chao at the 2021 Sundance Film Festival about her documentary To Know Her.
With a lack of investment in its central character and a lackluster execution, The Night is a film not likely to see the dawn.
Another Earth, Mike Cahill’s sci-fi romance celebrating its tenth anniversary, is multifaceted and deeply layered.
Sex, Drugs & Bicycles allows us Americans to consider cruelties within our system that we have come to accept as the status quo.
A wild and wacky comedy with bold splashes of the fantastical, Barb and Star Go to Vista Del Mar is the vacation from reality we all need and deserve.
Judas and the Black Messiah is a nuanced film that slowly peels back its layers, revealing a depth that will resonate for years to come.
There are few surprises to be had in Fatale, a film bloated with talent but which lacks the chops to make good use of it.
Despite its conventional, problematic, and at-times tedious first half, The Map of Tiny Perfect Things finds its footing delivery emotionally rewarding.
Framing Britney Spears may not be the best documentary of 2021, but it sure to become the most relevant and vital in the fight for freedom and equality.
A Glitch in the Matrix is an engrossing feature that looks and feels unlike anything else out there in any genre or style in filmmaking.
A Ghost Waits won’t provide too many chills and scares, but it will provide a well-crafted, tonally ambitious narrative of love and loneliness.
Too caught up in its own inventive twist on the world, Bliss offers high concept science fiction without tying it to something meaningful.
This is ultimately an enjoyable musical rom-com, and fun adaptation of a Shakespeare classic.
Profound, gorgeously shot, and performed, Little Fish is a film that is unforgettable.
At this particular moment, In the Same Breath certainly feels like the COVID-19 documentary that the world needs to see.