United States
While far from perfect, Mosul is an effective look into a country ravaged by war and constantly searching for hope.
Jim Dixon sat down to interview with director Vladislav Kozlov and the cast of their upcoming film, Immortalist.
The Queen’s Gambit is stunning and exhilaratingly enjoyable, but it ultimately leaves me as a viewer just wanting more of it as a whole.
Dear Santa is a film that proves love and charity are all around, showing that Christmas is not just for children, but for the communities and the heart.
While Mank isn’t David Fincher’s best work, it certainly places quite high in his repertoire.
The Jinkx & DeLa Holiday Special is a labor of yuletide love that shows the raw creativity and determination of queer performers.
The Cry of Jazz does not waste energy or time, and in doing so it succeeds in breaking through with its considerable strength.
Fatman is an exhausting, vile, depressingly boring movie which might have been kinda funny as a skit or short.
Black Bear goes to such lengths to get across a mundane idea that even its lack of meaning is forgivable in light of its wild viewing experience.
In context to its insufferably self-congratulatory source, Hillbilly Elegy might be the least-bad adaptation one could hope for, for whatever that’s worth.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
The 10 Year Plan is a traditional rom-com, it is not about coming out of the closet, it is just about two best friends who realize they’ve been in love.
An earnest and perceptive drama that deals with homelessness and mental illness in ways that inform and engage, Princess of the Row is a must-see indie.
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.
If you’re going to watch this one, you might as well marathon the series with some buddies online while imbibing the adult beverage of your choice.