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It is an innovative piece of work; it starts off intense and visceral until it takes a turn and becomes a tender, compassionate exploration of acceptance.
Honest with its subject matter, Uncle Frank is a very conventional drama where something topical in the 1970s is still relevant today.
The Sounding is a tribute to William Shakespeare first and foremost, though that adoration often gets in the way of its storytelling.
In Dreamland, Margot Robbie is perfectly cast as a complex woman whose outlaw glamour belies her inner darkness.
The Climb is an exciting and robust debut from Michael Angelo Covino.
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
Chick Fight never takes advantage of the premise it was trying to flesh out, and loses any feminist credibility it could have had.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.
Borat 2 sheds portions of the subtlety seen in the first film in a necessary plea to fully understand the harm of our current administration.
Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!
While it’s visually handsome, with performances from the two leads that are equally staggering, the show fails to accomplish what it wants to do.
A gorgeous, thrilling portrayal of careless childhood dissolving in the summer sun, Smooth Talk is a landmark coming-of-age film.
In this week’s Queerly Ever After, we take a look at The Falls Trilogy, which examines the relationship of two men in the Mormon Church.
With both leads shining bright, Cicada is altered, and elevated, by an undercurrent of trauma that haunts its central pair.