Cetigrade is a chilly thriller that never turns up the heat, leaving the audience with little reason to chill with the imperiled couple.
With stunning technical work, solid performances and intriguing examination of parenthood, Raised by Wolves is enough to hook you in every episode.
Film Inquiry recently spoke with former Disney star David Henrie about his feature directorial debut, This is the Year.
Lake Michigan Monster embraces strangeness as it affectionately homages sci-fi B-movies of the 1950s and silent comedies of the 1920s.
Alex Lines had the chance to talk with directors Bill and Turner Ross for their film Bloody Nose, Empty Pockets.
Class Action Park explores the dark side of childhood as it covers the legend and legacy of the infamous Action Park.
Unhinged attempts to evoke the fears and stress of living in our modern times, yet it mostly remains stuck in first gear.
Sixty years ago, The Children’s Hour dared to make audiences uncomfortable and present the consequences of bigotry.
Through style, humor, and a dash of poignancy, the film does a good job of selling you on joining Arquette in his singular odyssey.
Despite its visual innovations and blockbuster decadence, Tenet finds itself submerged beneath Christopher Nolan’s lofty ambitions.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.
As film viewers and critics, it is more important than ever for us to be aware of this invisible governmental and militarized bias in film and TV.
Owen Butler spoke with Eugene Kotlyarenko about the themes and cultural relevance of Spree, as well as where he drew inspiration from for the movie!
Half-baked and poorly executed, Project Power is a big-budget, overly ambitious feature that does nothing but let you down.
While delivering an updated depiction of the inventor, Tesla falters in its attempt to deliver the true brilliance of Nikola Tesla.