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The 3rd episode, “On The Wings of Keerdaks” was just a classic episode of Clone Wars with one thing on the agenda: get out alive. Let’s talk about it.
Blow the Man Down is a careful study about growing up following a tragedy, about fending for oneself, and about the oddness in towns that people inhabit.
Ordinary Love’s minimalist approach to the narrative puts a lot of pressure on the performers, but fortunately, Manville, Neeson and Wilmot shine through at nearly every instance.
For a series that prospered on a measured pace and ambiguity, The Outsider continues to leave viewers in the dark, even during the grand finale.
The Way Back is a deeply affecting and moving redemption story anchored by an absolutely outstanding performance from Ben Affleck.
Linear as can be, D. Wade: Life Unexpected will satisfy fans of the superstar and fans of the NBA, acting more as a gloss-over and less as an in-detail retrospective.
Well-acted, and relentlessly brutal, Hunters has the ability to garner more attention but falls short from being memorable.
The problem is not only that The Jesus Rolls doesn’t work as either a Lebowski spinoff or a Going Places remake, but that this movie barely works as anything.
Vivarium is a strange beast and not everything works within its bizarre world, but it’s an endlessly compelling watch.
Despite an all-star cast of respectable and often captivating actors, The Last Thing He Wanted ultimately falls apart due to its convoluted storytelling.
The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.
From its opening scene of a mansion overlooking the ocean to its anxiety-inducing conclusion, The Invisible Man brings Universal Monsters to a whole new level.
Before the season ends, The Outsider has to deliver a reasonably satisfying conclusion that’ll at least gratify those viewers who stuck with the series.
Before I fell in love with Baby Yoda and the gunslinging world brought to us…
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.