United States
Just as A Hidden Life is arguably Malick’s most directly religious film, it is also his most directly political and possibly by virtue of its subject matter, least poetic.
Lection has potential to be a thriller with political undertones, but feels more like a basic metaphorical statement thrown over the top of a slow-paced film.
The Marion Stokes Project captures both the inherent humor and the utter absurdity of what this single-minded woman devoted her life to.
If there is one thing this movie proves, it’s that star power can break through…
Make The Yuletide Gay is a light, fluffy holiday movie that makes you happy, which is exactly what you want when watching this kind of film.
What You Gonna Do When the World’s on Fire is a showcase for filmmaker Roberto Minervini and a telling portrait of poverty in New Orleans.
Uncut Gems is powerful, almost masterful filmmaking from Josh and Benny Safdie and features a career-best performance from Adam Sandler.
I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.
Sadly, Playmobil The Movie merely serves as a reminder of how studios forcing a film around a product didn’t always make for the greatest of entertainment.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.
Regardless of its exhilarating action sequences and strong performances, The Aeronauts is a good film but not necessarily a great one.
Blue has a lot of heart, and being based on true events, never sugarcoats the reality of suicide ideation but it doesn’t glorify it either.
The events portrayed in Bombshell may have captured the world’s attention, but this film delivers too soft a punch to make the same impact.
While the film may lose a few along the way due to its drawn out pace, many will find themselves enthralled with what The Wolf Hour has to offer.
Most Likely To Succeed reaffirms the dispiriting correlation between professional success and racial and class divide, as subtly depicted by Pamela Littky.