United States
Luce is a fascinating and thrilling study of gender, race and identity with compelling performances from the cast. Brent Goldman reviews.
Stuck is a fun comedy about a woman trying to do good but getting side-tracked by her habits and her past.
Delirium is interesting enough to warrant our attention, but ultimately the route to the big “reveal” veers off course.
Charming guests full of personality and stories capable of filling given run time are exactly the reminder of authentic entertainment this current era of television needs.
The Art Of Self-Defense is a dark, sharp and poignant take on the current gender roles and expectations in society.
The Boys is a bizarre mishmash that leads to some mishandling of sensitive material and a strange tonal dissonance throughout.
Orange Is The New Black was never pitch perfect, but it hit enough high notes to make it count. Farewell, Ladies of Litchfield.
Bottom of the 9th may be plagued with a slow moving plot, it does have the characteristics of what makes a compelling sports drama.
Surviving Confession is very much a lively indie taking place in a lifelessly cramped setting, while bluntly speaking some commendable verities of being human.
The Current War admirably attempts to be something bigger than it ultimately is, with its A-list cast and interesting-but-misfiring style.
Skin manages a few gripping moments thanks to its cast but can’t string them together into something meaningful.
Ladyworld manages to capture the perfect balance between the moments of tension and uneasiness with moments of teenage life.
Love, Antosha competently tells the utterly heartbreaking story of Anton Yelchin, the very intelligent and talented actor whose life was cut short.
Pavarotti is at times hard to watch, but ever so entertaining and explosive exploring one of the most captivating and astonishing artists of the 20th century.
While it’s set up with a poignant perspectives, Cubby fails to provide an introspective look into loss and growth.