United States
Frances Ferguson combines the unsettling feeling that comes from its subject with the desire to watch someone overcome the endless hatred for their life.
The allure of Jon Foreman’s approach to life can be summed up by one day documented for all posterity in the documentary 25 in 24.
The Farewell reveals Lulu Wang is a director to watch out for, but loses impact by leaving so many of the themes it wishes to explore unspoken.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
With the revival of witchcraft in pop culture, now seems like the right time to look back on Practical Magic starring Sandra Bullock and Nicole Kidman.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
The Last Black Man In San Francisco is a deeply moving film, and probably the best film with San Francisco as its backdrop.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
We look back at the history of Godzilla, starting in the 1954 Japanese film, and why the character has had a lasting impact all these years later.
Godzilla: King of the Monsters, from start to finish, is evidence that Dougherty loves Godzilla, but the action staged on-screen is far from perfect.
The hands of power have shifted and four pomegranate seeds have been gathered – we are halfway through The Spanish Princess!
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.