United States
The Hustle is a female-driven remake that features two household names – it may look appealing, but don’t let it deceive you – it’s a con job in itself.
The Shade Shepherd is a thumping and garish character venture, made to look and feel alluring, yet ends up inheriting an artistic drive, low on fuel and brisk in speed.
Is Pokémon Detective Pikachu a classic telling of the Pokémon journey? No, but is it a welcome glare of personality and hope? Absolutely.
Begging to be experienced, discussed, and remembered, Mosul follows a former CIA counter-terrorism officer documenting a journalist in war-torn Iraq.
The 27 Club is a cheaply made streaming title with little to no thought put into it – there was a seed of an idea here but nobody to tend the garden.
Just Say Goodbye is a laudable strive to enlarge the implications and the all-inclusive consequences of suicide.
With the most creative kills anywhere, a deeper mythology, and great additions to the cast, John Wick: Chapter 3 – Parabellum is even more deadly and enjoyable.
The Biggest Little Farm is a gorgeous documentary on par with the raw beauty of Planet Earth or any other nature documentary.
Subversive, icky and incessantly spellbinding, writer-director Anthony Stabley operates artistically well in Everlasting.
Young adult love stories will always have an audience, but After was trite, formulaic, and lacking in any kind of sparkle.
The Chaperone is a film that’ll be gone by the month’s end, swallowed by the studio system and erased by this year’s loaded summer season.
Plus One is a perfectly serviceable and adequate romantic comedy; it has moments that charm and promising performances.
Where Toy Story found something deeply moving in a tale of toys, UglyDolls comes crashing down with all the moral engagement of a 1980s animated PSA.
Starfish’s reach might ultimately exceed its grasp, yet the film still succeeds as an immersive, stunningly crafted apocalyptic sci-fi.
Surviving the experience of Queen of Diamons means being rewarded with a film that has more to say with far fewer words than much of independent cinema today.