war
Begging to be experienced, discussed, and remembered, Mosul follows a former CIA counter-terrorism officer documenting a journalist in war-torn Iraq.
Straight from Tribeca 2019, Kristy Strouse reviews Two/One, A Day in The Life of America, The Kill Team and spoke the cast and director on the red carpet.
The tension between musical and war drama at times overwhelms the picture – but god, even when it’s a failure, Swing Kids is entertaining as hell.
We delve into Pawlikowski’s unique grasp of time as it relates to the central romance in his film Cold War.
Donbass is the darkest of comedies, showing how wartime mania can fundamentally transform a nation overnight.
Nemes’ masterpiece Sunset ruminates on the cyclical ignorance of humanity to blistering effect, eliding our past faults, our present negligence and our future turmoil.
Where Hands Touch is a disappointing and sketchy depiction of a tragic romance during one of history’s darkest periods.
The film’s attempts at multiple genres may not blend together, but the talented cast and direction by Chandor help raise it above its flaws.
While groundbreaking or original, The Aftermath is worth seeing for the enticing performances and striking ambience that it establishes.
The Man Who Killed Hitler and Then the Bigfoot is not the B-movie you’d expect, but it is an emotionally engaging and gripping film nonetheless.
Close is frustratingly shallow, and in its breakneck pace leaves some of its character development in the dust, while trying to wring every bit of emotion out of its quieter moments.
A form of political agenda has been present in film since the dawn of cinem, with YA adaptations like Harry Potter and The Hunger Games influencing a new generation.
Hiroshima Mon Amour deals with the aftermath of a war, but primarily focuses on two peoples’ romance, which inspired future French New Wave directors.
Overlord is exactly what you would want and expect a movie about zombies created by Nazis to be: a deranged, disgusting delight.
Outlaw King is ambitious, striving for originality and historical accuracy, but overall fails to bring much to the table in terms of grounding its characters.