It is not only a love letter to the passion exhibited by its subject, but an encapsulation of an inspiration that still lives on today.
In a near future, a family reckons with questions of love, connection, and loss after their A.I. helper unexpectedly breaks down.
A look into the current state of Hungary’s filmmaking and cinematography societies and their connections to politics and institutions.
In his final Sundance coverage, Kevin Lee reviews Call Jane and Emily the Criminal.
Newly dumped thirty-somethings Peter and Emma team up to sabotage their exes’ new relationships and win them back for good.
Sundance 2022 has lots of horrors, enjoying a blend of scares with real sobering commentary about the world today. Kevin Lee reviews Master & Resurrection.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
This week, Jesse, along with Film Inquiry Editor-in-Chief Kristy Strouse, discuss the Sundance Film Festival’s 2022 lineup and upcoming movies of 2022!
At a secluded farmhouse in Texas, a film crew arrives to shoot an adult film, but as night falls things turn violent.
We are four weeks into the competition and an actual storyline has finally taken root after its initial sprouting during last week’s episodes.
Poly Styrene: I Am A Clichè keeps her legacy alive, while also recognizing that behind the iconic music and photos she was a real, flawed woman.
In his final report from Sundance Film Festival, Wilson Kwong reviews Happening and Girl Picture.
Following in the footsteps of a long line of road movies, Queen & Slim takes the genre in a new direction, adding its own original flavour.
The Mummy remains a classic staple of horror and the mummy genre, transforming itself to immortality of cinematic history.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.