With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
In Front of Your Face and Introduction serve as a satisfying reminder that one of world cinema’s most consistent filmmakers is still thriving.
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.
In the years since its release, Scream has proven itself to be a staple of a genre and an undeniable part of horror cinematic history.
Żuławski channeled his personal heartbreak into primal horror, and the result is a messy, marvelous movie.
Elevated by excellent performances, minimalist interpretation of the visuals, and sound design that is larger than life, The Tragedy of Macbeth soars.
The No Time To Die Countdown continues with a look back at Skyfall, the third film starring Daniel Craig as James Bond.
Paul Verhoeven’s latest film Benedetta, based on the infamous 17th century, has the Catholic Church up in arms as it delivers the satire.
You’ll definitely laugh, and you might cry, too; whatever the case may be, you’re guaranteed to be moved by Trier’s empathetic storytelling.
Nitram is a potboiling study of human fragility that doesn’t heal our scars so much as it asks us to accept that they are here to stay.
This week, Jesse Nussman and Kristy Strouse recap the 2021 Toronto International Film Festival.
A look at how tennis superstars Venus and Serena Williams became who they are after the coaching from their father Richard Williams.
Mia Hansen-Løve’s Bergman Island features emotionally intelligent filmmaking and a lovely central performance from Vicky Krieps.
A woman is reunited with a Black friend who has been living her life as a white person.