In the latest Staff Inquiry, our writers look back on the year recalling their favorite TV series of 2020!
Jim Dixon spoke with director Ansel Faraj about his film Loon Lake, blaspheming, and burning down the church in the rain.
The unfortunate thing about Beasts Clawing at Straws is that it tries to force entertainment through shock value instead of investing in the characters.
A 16-year-old seeks advice from an imaginary pigeon therapist to overcome his anxiety and depression.
Black Panthers shows the resistance group through the words of its own members and the curious eyes of a visitor.
Castle Freak is an interesting update to a familiar horror film, and manages to add more of the Lovecraftian influence back into the world.
Death to 2020 says a farewell to the year in the best way possible, inviting every viewer to join in the experience and the catharsis.
A rural Romanian couple and their nine children must learn to live in the big city.
This battle of Nazis versus Christmas forms the unusual narrative backbone of a bizarre yet beloved Christmas classic: Santa Claus is Comin’ to Town.
The Dry has just enough mystery and intrigue lingering at every begrimed frame to keep the audiences invested.
This week, Jesse and guest Kristy Strouse discuss Wonder Woman, 1984, and Pixar’s newest: Soul.
Trained focuses on a unique idea but never seems to spring up or explore what’s beneath the surface of it’s chosen gimmick.
Alex Lines had the chance to talk with director Dante Lam about his latest film The Rescue.
Saving Face is a beautifully crafted movie about the fight between family tradition and finding a new way for yourself.
The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.