There’s so much to be said, and yet we settle into a story that sometimes takes the easier road if not the obvious one.
Alex Lines had the chance to talk with Rams director Jeremy Sims about adapting the Icelandic drama.
The Devil All the Time is disturbing and unrelenting in its catharsis and its portrayal of the cycles of violence.
The Paper Tigers is crafted with a sense of passion that can only come from a filmmaker who is eager to express their own intimate creativity.
If you’re feeling nostalgic for early oughts movies like She’s All That, then Latter Days from C. Jay Cox is for you.
Rose Plays Julie archaeologically digs through human suffering, one fragment at a time, bringing its characters’ traumas out to see the light.
Summer of 85 is one of the best coming of age stories in recent memory – an affecting tale of first love and first heartbreak.
This week, Jesse is joined by Elements of Madness writer Hunter Heilman to break down the career of writer/director Aaron Sorkin.
Five women band together to stop a global organization from acquiring a weapon that could thrust the teetering world into total chaos.
It is a tonal trick of some skill that Harry Macqueen has pulled off with Supernova and thankfully, he spoke to Andrew Young about just how he did it.
The Old Ways is engaging and horrific, keeping relevant themes in the foreground while entertaining with solid and gruesome scares.
Those who bought tickets to see the woman-meets-ride romance won’t be disappointed but Jumbo has more on its mind.
French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.
In an era where hand-drawn animations are fewer and fewer, films like this one ought to be shouted from the rooftops and celebrated.
Reviews of Aussie thriller Bloody Hell and the dark comedy Dinner in America, fresh from the inaugral Nightstream film festival.