Sputnik is a solid alien-driven thriller; it’s when it focuses on the more human elements to its story that it stumbles.
Two con artists have spent 26 years training their only daughter to swindle, scam and steal at every turn.
Overflowing with internal and external conflict, Hans Petter Moland’s Out Stealing Horses is a gently-paced, exceptionally-written, sensory experience.
What We Found is a well-paced thriller that explores important issues while blending darker elements with a realistic and engaging friendship at its core.
Before/During/After blends a journey of self-discovery with an examination of marriage from start to the unexpected end.
I Used to Go Here is about far more than one could have hoped and imagined with a pleasant amount of consideration given to all its characters.
Kevin Lee spoke with Karen Maine about sexual education, her personal experiences in Catholic school, how that guided her direction in the film and more!
With Proxima, Winocour has left an indelible mark on cinematic space travel, by viewing it through a feminist lens and placing more emphasis on earth.
Reichardt once again displays her generous understanding of life on the margins, and the implicit need to create relationships in harsh lands.
Spinster is a relatable journey from recently broken up single to content and confident, yet still single.
Wanting to lead an honest life, a notorious bank robber (Liam Neeson) turns himself in, only to be double-crossed by two ruthless FBI agents.
Despite taking place in a city with a ubiquitous gang subculture, Days of the Whale is unconventionally warm and luminous.
All and all, Good Manners is a flawed narrative with a good heart and powerful message at its core.
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.
A high school transfer student finds a new passion when she begins to work on the school’s newspaper.